Artist Statement

Artemis Hatfield is a multidisciplinary artist working in the United Kingdom. She has a conceptual practice with a post-medium approach to the way they create their artworks. Hatfield’s work is informed by her experiences as a queer and trans person, and she aims to help inform audiences about various facets of queerness, from the personal to political. 

Through her recent projects, “The Transgender Puppet Variety Show”, “The dove returned with a knife instead.” and “Rough Surf / Soft Fabric,” Hatfield explores and examines different elements of queer and transgender experiences. Hatfield’s accessible approach to their work allows for people who are less knowledgeable and experienced with these topics to engage and learn from it, as well as still being able to relate to the artwork. They are inspired by both current and historical activist movements, and subscribe to an intersectional approach to activism and the fight for equality. 

Hatfield also works in education part time, is a freelance designer, and runs independent arts press Delos Publishing alongside her practice. 
       
Contact, Instagram


Education

BA (Hons) Photography, First Class
Arts University Bournemouth


Publications

Anarkiss Zine
The Transgender Puppet Variety Show Magazine
We Resist
Dieu et mon Driot(s)
Pretence Magazine

For publications edited & published by Artemis Hatfield, see Delos Publishing


Exhibitions

Aberrations
Copeland Gallery, London
2025

AUB Summer Show
AUB, Bournemouth
2025

LGBTQ+ Art
The Bournemouth Underground Gallery (BUG), Bournemouth
2025

Aberrations Collective
BEAF Arts Co, Bournemouth
2025

Mental Health in Art
DPC, London
2024

Aberrations Collective
Bournemouth
2024

The Big Art Show
The Art Department, Glasgow
2023


Press

Fluffy Friends with a Fierce Message
Holly Likes Puppets
2025


ArtistDesignerPublisher

Perfidiam Imaginum

Medium:
Photography, Cyanotype
Date:
2023

Pre-Edit Modelling by
Liora Goldstein
This work explores the relationship between humans and nature, in an almost intimate way, using a combination of digital and analogue techniques to create these surreal "faux plants".  This presentation of the human form questions depictions of identity, and challenges the objectivity and truthfulness of the photographic image. The name, “Perfidiam Imaginum” comes from the Magritte painting “The Treachery of Images”.
Top © Artemis Hatfield, 2026More Links