Artist Statement

Artemis Hatfield is a multidisciplinary artist working in the United Kingdom. She has a conceptual practice with a post-medium approach to the way they create their artworks. Hatfield’s work is informed by her experiences as a queer and trans person, and she aims to help inform audiences about various facets of queerness, from the personal to political. 

Through her recent projects, “The Transgender Puppet Variety Show”, “The dove returned with a knife instead.” and “Rough Surf / Soft Fabric,” Hatfield explores and examines different elements of queer and transgender experiences. Hatfield’s accessible approach to their work allows for people who are less knowledgeable and experienced with these topics to engage and learn from it, as well as still being able to relate to the artwork. They are inspired by both current and historical activist movements, and subscribe to an intersectional approach to activism and the fight for equality. 

Hatfield also works in education part time, is a freelance designer, and runs independent arts press Delos Publishing alongside her practice. 
       
Contact, Instagram


Education

BA (Hons) Photography, First Class
Arts University Bournemouth


Publications

Anarkiss Zine
The Transgender Puppet Variety Show Magazine
We Resist
Dieu et mon Driot(s)
Pretence Magazine

For publications edited & published by Artemis Hatfield, see Delos Publishing


Exhibitions

Aberrations
Copeland Gallery, London
2025

AUB Summer Show
AUB, Bournemouth
2025

LGBTQ+ Art
The Bournemouth Underground Gallery (BUG), Bournemouth
2025

Aberrations Collective
BEAF Arts Co, Bournemouth
2025

Mental Health in Art
DPC, London
2024

Aberrations Collective
Bournemouth
2024

The Big Art Show
The Art Department, Glasgow
2023


Press

Fluffy Friends with a Fierce Message
Holly Likes Puppets
2025


ArtistDesignerPublisher

Untitled (Window)

Medium:
Writing, Installation
Date:
2024

Exhibited at
Aberrations Collective, Bournemouth
Mental Health in Art, DCP, London
This work addresses transphobia and other issues faced by trans people, many of which are commonly overlooked or misrepresented by the public, public figures, politicians and the media. 

In the accompanying booklet to the piece there are sourced statistics that evidence each claim made by the artist in the piece, showing that while it is an emotional, personal plea for change, it is also grounded in fact.
After having a transphobic slur shouted at Hatfield just outside their home from a passing car window, she was emotional, scared, and angry. They turned to art to process these emotions, sourcing this passenger-side car window mere hours after the event took place. 

Hatfield channelled their fear and anger into this prose placed on the glass, using this one incident of hate as a focal point to express and educate on a multitude of issues many transgender people live with each day.
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